Opening Museums – New Interaction methods for future museum experiences

[tribulant_slideshow gallery_id=”3″] We approach the theme of “opening museums” from a point of view where digital technologies can be used as tools to facilitate vistor-museum and visitor-visitor interaction. We look at “interaction”, as in how to encourage visitors to become interactive participants, following the theory that human communication is based on dialog and exchange. On

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Samalu

[tribulant_slideshow gallery_id=”2″] Samalu, 2011, Andreas Zingerle, Linda Kronman (kairus.org) Samalu is an artistic installation about mountain myths from Austria and Korea. Mountainous countries like Korea and Austria have a special relationship to their mountains. In Austria wise woman called the “Salige”, with knowledge of the mountains and special powers over the weather used to help

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Re: Dakar Arts Festival

Transmedia storytelling, Cybercrime, Trust, Artscam. [tribulant_slideshow gallery_id=”5″] The “Re: Dakar Arts Festival” documents an art festival scam practice, that can be followed in an interactive installation and online through social media channels. In this transmedia story both fiction and reality blends, when swiss artist Heidi H. and gallerist Peter prepare for the “Dakar Arts Festival”.

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Traces of HMI

  “Traces of HMI”, 2010-2012 DVD PAL Videoinstallation, Binaural audio. Duration: 35min, Series of 5   Exhibition: June 1-3, 2012: C.A.R – Contemporary Art Ruhr, Ruhr/Germany.

Paper: Collaboration models in Big South Lab

Title: Collaboration models in Big South Lab Author(s): Anne Nigten, Lars Kynde, Andreas Zingerle, Tyler Freeman Email: anne(at)patchingzone.com, larskynde(at)hotmail.com, andreas.zingerle(at)ufg.ac.at, tyler(at)odbol.com Published at: ISEA conference 2011, Istanbul, Turkey.   Abstract: This paper highlights the co-creation processes of two electronic art and design works in  the Big South Lab; the VJacket coordinated by Andreas Zingerle and

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